Projects Past and Present
May and June 2024: Voice and Dialect Coach at Utah Shakespeare Festival on The 39 Steps, Much Ado About Nothing, and The Greenshows.
May 2024: Dialect Coaching Profile Theatre’s production of Our Orange Sky.
March and April 2024: Voice and Dialect Coach at The Billie Holiday Theatre on Fabulation, Or The Re-education of Undine.
February 2024: Directing and Dialect Coaching Once On This Island at Kean University.
May and June 2023: Voice and Dialect Coach at Utah Shakespeare Festival on Romeo and Juliet, A Midsummer Night’s Dream, and the Greenshows.
January 2023: Interviewed, along with several other coaches, for an article for the LA Times on ‘How to get a job as a dialect coach’.
January 2023: Dialect Coaching Profile Theatre’s production of Welcome to Arroyo’s.
October 2022: Dialect Coaching Profile Theatre’s production of The Elaborate Entrance of Chad Deity.
September 2022: Dialect Coaching Phoenix Theatre Ensemble’s Production of The Importance of Being Earnest.
September 2022: Joined the faculty at Kean University Theatre conservatory, as a tenure-track Professor of Acting, Voice and Movement.
June 2022: Appeared as Ba’homa in the developmental reading of Dillon Chitto’s Pueblo Revolt at The Goodman Theatre.
May 2022: Voiceover for the Audio Tour of Re-Examining Conservation for Creature Conserve at the Brown Arts Institute.
April 2022: Appeared as Hedwig, directed by Tara Moses, at Brown/Trinity Rep.
April 2022: Coached for CNN produced podcast Margins of Error hosted by Harry Enten.
April 2022: Coached for The Garden of Voices podcast play The Abbey of the Holy Lonesome.
August 2021: Recurring Character VoiceOver work with the Who, When, Wow podcast/Sheir & Shim.
July 2021: Co-Hosted a featured panel for the virtual VASTA Conference. “Reclaiming Our Voices - BIPOC Coaches in Tv and Film”.
July 2020: Completed the Knight Thompson Speechwork Certification.
March 2020: Producing Gnome Haus’s production of ‘Honduras’ in Providence, RI. (This production had one performance before being shut down by COVID. Gnome Haus then closed due to COVID.)
January 2020: Performed in Phoenix Theatre Ensemble’s production of Dutchess of Malfi.
August 2019: Joined the faculty at the Brown/Trinity MFA Acting/Director Program, as the Interim Head of Voice and Speech.
January 2019: Made an official Resident Artist of the award winning Phoenix Theatre Ensemble.
January 2019: Joined the Faculty of the Theatre and Speech Department at the City College of New York.
January 2019: Performing as Manny in the staged reading of Committed: The Musical, at Dixon Place on the MainStage.
December 2018: Performing as an actor in the one night only performance of Hot, Young, and Dickensian. Four original short plays, commissioned by and produced as a benefit for Phoenix Theatre Ensemble.
June 2018: Directed The Mad Mad Scientist Play, writted by E. E. Wade, produced by The Gnome Haus at 13th Street Repertory Theatre, as an AEA approved showcase.
"The Mad Mad Scientist Play smoothly balances its fantastical elements with some very authentic human insights. This is thanks to E.E. Wade’s thoughtful script and Josh F.S. Moser’s fluid direction." - Jed Ryan, Lavender After Dark
May 2018: Performed as Klautus in Judas, produced by Phoenix Theatre Ensemble, directed by Craig Smith. Performed at The Wild Project.
“Youthful Josh Moser as the bureaucratic Klautus serves as wonderfully dry comic relief.” - Robert Patrick, Theatre Scene
February 2018: Performed as Diego in The Cult Play, produced by Phoenix Theatre Ensemble, directed by Irene Lazaridis. This was performed at The Paradise Factory.
“Josh Moser as the good-natured Diego smoothly captures the character’s idealism ….” - Robert Patrick, Theatre Scene
”Josh F.S. Moser’s Diego, in contrast, may be the only grounded character in the cast. ... The character’s grounded nature is likely why he clashes so strongly with the “what you see is what you get” style of Stacey Raymond’s spunky Mae. Speaking of dedication, all of the actors are superb. All eight players keep up their energy level throughout the shows’s intense two-hour-plus running time, which requires a lot of physical moxie as well as dramatic skill.” - Jed Ryan, Lavender After Dark
December 2017: Produced and performed in Love Riot, a fundraiser for Puerto Rico produced through The Gnome Haus.
February 2017: Come see Josh's new work - Orgullo Boricua - in an evening of Latinidad. This short solo work will be paired with a solo piece by Valeria Avina called Magic Tape.
January 2017: Joined the faculty at PACE University in the BA in International Performance Ensemble program.
December 2016: Check out this Interview Josh did with Christina from The Voice Forum!
December 2016: Produced and performed in The Popular Vote, a fundraiser cabaret produced through The Gnome Haus, with all proceeds being donated to the NYCLU.
November 2016: Directed stage readings of two short plays in an evening called The dog that ate my plays and other disappointments at Polaris North.
September 2016: Directed staged reading Perspectives on Love by Rose-Marie Brandwein at Polaris North. Perspectives was an afternoon of three short plays, each exploring the complexity of romantic relationships.
Fall 2016: Joining the Trinity/La MaMa Performing Arts semester as the resident Voice Faculty.
September 2016: Starting as an Associate Faculty member at The American Academy of Dramatic Arts. Teaching Voice and Speech.
September 2016: Co-teaching an Introduction to Fitzmaurice workshop, from 10:30 - 3:00 on Saturday, September 17, at the 13th Street Repertory Theater.
July and August 2016: Completing part two of the XIV Fitzmaurice Voicework® Teacher Certification program in Los Angeles.
June 2016: Experiencing Speech and Experiencing Accents - Knight Thompson Speechwork workshops.
March 2016: Josh appeared as a Times Square superman cos-player in the official music video for Coheed and Cambria’s Island.
“… a very cute superman …” - Out.com article on Island
Jan 2016: Founding member: Former NYC collective The Gnome Haus. (Closed in 2020 due to COVID)